![]() ![]() ![]() “Maybe we’ll meet at a bar, he’ll drive a funky car,” she coos, lost in the possibility of brand new love. Over a sampled riff taken from 70s rock band America’s sun-dappled Ventura Highway and a web of splintering synths, All for You’s second single is Jackson at her most straightforwardly goofy best. ![]() The lascivious Strawberry Bounce – co-produced by then-newcomer Kanye West, who creates the song’s backbone out of a chopped up Jay-Z sample and a glockenspiel – showcases Strawberry, who promises to be a lover’s sex-focused playground. Strawberry Bounce (2004)ĭamita-Jo saw Jackson not only experiment with her sound – Richard X, the DFA and Basement Jaxx were approached for sessions – but also her alter egos. “Strobe lights make everything sexier,” coos Jackson, clearly not with a sticky-floored provincial club above a Wetherspoon’s in mind. Created specifically for her gay fans, this throbbing dancefloor anthem from Discipline – co-written by Ne-Yo – could easily have nestled on X, Kylie’s similarly minded album released the previous year. ![]()
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